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Diva Guyd: The Jinkx Monsoon Interview

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RuPaul’s Drag Race season five winner Jinkx Monsoon marches to the beat of her own drum—a stride that’s led her all the way to seizing the title of America’s Next Drag Superstar. With her endearing campy style and quiet determination, the Portland born Seattle native quickly became a fan favorite. We’ve been in flood preparation mode for weeks, and Monsoon season is finally upon us.

Early in the season it seemed Jinkx’s offbeat take on old-school Hollywood glamour might be too far left of center to generate mass appeal—or anything less than a shady look of disdain from Michelle Visage. But once she found her stride on the runway, Jinkx propelled through the competition on the strength of her well-honed performance skills, charming personality, and killer comedic timing.

We talked to the recent winner about her experience on the show, how life has changed since taking the crown, and—of course—her favorite pairs of underwear in and out of drag.

Check out our exclusive interview below, and let us know how you’re faring through Monsoon season!

The Underwear Expert: How has life changed for you since winning the show?

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Jinkx Monsoon: I usually say, ‘How hasn’t it changed?’ Because literally every aspect of my life is different now. I’ve learned so much about myself as a person and as a performer. I just feel like a more fully realized drag queen and a more fully realized human being. It’s allowed me to really reflect on my life and be very thankful for the things that helped me get to where I am, and I just love every moment of it.

UX: What was it like watching the show air for the first time? Were you surprised by anything you saw?

Jinkx: There’s so much I don’t get to see until it airs, like the confessionals of the other queens and things I wasn’t present for. So it was fun to watch my fellow competitors’ experience as well as relive my own. But it’s a hard thing to wrap your mind around, watching yourself on TV can be a little surreal at moments.

UX: Was there anything you would have done differently?

Jinkx: It’s like a catch-22, because I feel like I learned so much about drag and the art form, and I feel like I’m performing at a whole new level now. I wish I could have gone into the competition with the skills and talents that I’ve acquired now, but I never would have acquired these skills had I not gone through the competition.

So it’s kind of like, you can’t have it both ways, you know? [Laughs] But yeah, I wish I had taken a few more sewing lessons, and maybe a couple more wig styling classes before doing the show. But otherwise I wouldn’t change a moment of it, because I just really feel so fortunate for my experience on Drag Race.

UX: How did it feel to find out you were the fan favorite?

Jinkx: That was probably the biggest surprise. I just thought I would be too much of an acquired taste for people, just a little bit too kooky for your average Drag Race viewer. But I was excited to see that the audience liked it—that they got where I was coming from, and that there are a lot of people out there who feel similarly about life, love and drag!

UX: You’ve cited Meryl Streep, Lucille Ball and your mother as drag inspirations. What do they all have in common that you take away from?

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Jinkx: I think they all have class and integrity. They’re true ladies, but they don’t take themselves so seriously that they can’t be a clown—that they can’t goof around and show the goofy, ugly parts of themselves as well. If you look at Meryl Streep’s body of work, she’s not only been a glamour icon and a true diva, but she’s also been a huge clown at times and done some of the kookiest, funniest things. And that goes without saying for Lucille Ball, and my mom is a lot like that too. She’s a very sweet, well put-together woman, but she’s not afraid to commit to the joke. [Laughs]

UX: Your mantra on the show ‘Water off a duck’s back,’ helped you stay true to yourself through a lot of trying times. Is there a message there you hope to pass along using this new platform?

Jinkx: One thing I learned in art school, when you present art to someone or you present a scene to your theatre class, you’re asking them to critique the work that you put on stage. Sometimes you can take it really personally, and sometimes people’s critiques can hit you in the heart. But they’re not talking about you at all, they’re talking about the work that they watched.

So on the runway, I constantly needed to remind myself to take the critiques in and take the notes and be able to learn and to grow from them, but not take them personally. Listen to them, but don’t let the negative aspect of it weigh you down—let it be water off a duck’s back. I think that’s a philosophy we can all take into our lives and into our work. You have to be able to receive critiques to grow and to become better, but you don’t have to take it personally to the point where you’re beating yourself up about it everyday. I think we all face those kinds of situations in day-to-day life.

UX: Okay, so we’re going to move on to some underwear questions.

Jinkx: Wonderful! I’m sick of Drag Race, let’s talk about underwear!

UX: Right on! Firstly, we’re big fans of the Andrew Christian pit crew…

Jinkx: Yes, me too!

UX: That Whatcha Packin’ mini-challenge was pretty much beyond!—did you have a favorite crewman?

Jinkx: Well, Shawn Morales and I, he’s the one with the tattoos and the mustache?

UX: Oh yes, we know Shawn!

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Jinkx: He’s actually such a sweet guy and has such a good sense of humor. Also, he is of the au naturale persuasion—he doesn’t wear deodorant. So at times when I was feeling really homesick for Seattle, I would just stand next to him and take it in and feel like I was at home for a moment, because he has that kind of Seattle-grunge-funk about him. He was my favorite just for the fact of sense memory purposes! [Laughs]

UX: What kind of underwear do you wear in drag, men’s or women’s?

Jinkx: When I am in drag, I wear men’s underwear pulled up. What I do is I wear soft-top cotton briefs, I tuck my junk in between my legs and then I pull my briefs up past my bellybutton and turn them into a thong, and that keeps all my stuff in place for the evening. I think they’re just basic cotton underwear from H&M, and that’s what I use to tuck with. Not every drag queen does it that way, but that’s the way that’s worked for me my whole life.

UX: Are there certain types of underwear that work better for that, something that’s soft and cotton?

Jinkx: Yeah, I like whatever is the softest. Because when you’re in drag for a long time, you can kind of cause a little bit of friction down there. Sometimes I use a dance belt, but dance belts can be very… [woof]… they can just be very… chaffy. [Laughs] I don’t know how else to put it more eloquently!

UX: Do you have a lucky pair of underwear that you wear while performing?

Jinkx: No, I don’t have any one for performing, but I do have a lucky pair of underwear for when I’m not performing.. you know, when I’m offstage, Mama!

UX: So, what are your top three favorite pairs of underwear out of drag?

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Jinkx: Out of drag, my three favorite pairs of underwear are: I have a purple pair of Diesel underwear, I have a turquoise pair of Andrew Christian underwear, and I have one pair of assless 2xist—you know the underwear-jockstrap assless style, that’s for days at the beach! [Laughs]

Daniel Webster is another one of my favorite underwear designers, and he’s local to Seattle. He sells a lot of underwear though Under U 4men [the underwear store]. He does these amazing underwear designs that are not only really comfortable, but really unique. Like I have a pair of striped bubble-gum pink underwear—and what he does as his signature, the crotch piece has its own special design that you can only see on the inside.

UX: What’s the sexiest cut of underwear on a guy in your opinion?

Jinkx: I really like a guy in boxer briefs, because it kind of takes me back to high school [Laughs]. Even though I think it’s such a stupid thing, there’s something that still really turns me on about a guy with his jeans sagging and his boxers coming up over the top. In high school was when I first started noticing boys, and that’s when the skater-punk thing was in vogue so everyone had their boxers on display. I remember trying to stop myself from noticing that in high school so that I didn’t look like too much of a dick-pig! [Laughs]

UX: Right, like that scene in Clueless where all the guys are walking away with their boxers hanging out.

Jinkx: Yeah, totally!

UX: Now that you’ve won 100k, any plans to treat yourself to some luxury designer underwear?

Jinkx: Oh yeah. Actually today is my first day in Seattle, I came home yesterday and I get to spend the week here with very few obligations so it’s my first chance to go shopping with some of the money I’ve made from this tour I’ve been doing. So I’m very excited because I’m going to go update my boy wardrobe and upgrade my tech supplies [Laughs]. I want to get more of those David Beckham underwear, they’re actually pretty good and pretty comfortable.

UX: What can you tell us about The Vaudevillians, the show you’re performing at the Laurie Beechman theatre in NYC this summer?

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Jinkx: It’s a very unique show, it’s something that me and my music partner [Richard Andriessen] created our junior year of college together in theatre school at Cornish College of the Arts. It started as a joke, like what if these two really, really old people were singing pop songs as if they were songs back in the day?

So we invented the characters ‘the vaudevillians,’ they’re a married couple from the 1920s, and they were frozen alive in a freak cocaine-induced avalanche accident. They’ve been frozen alive for the last century, and thanks to global warming they just thawed out and they return to the stage to perform their original music.

The premise is that all these pop stars have ripped off our music but we’re playing for you the original versions. We do a vaudeville version of ‘Paper Planes’ by MIA, and ‘Toxic’ by Britney Spears, ‘Bad Romance’ by Lady Gaga, we do some Madonna, some Cher. We go all over the place with the covers, but they all sound like they were written in the 1920s for the vaudeville stage. It’s a lot of fun, and it also has a lot of comedic scenes and character-work, so it’s a very unique show.

UX: Sounds like a blast! What’s next for you, any other projects on the horizon that you can discuss?

Jinkx: The same music partner and I are working on some original music, so that this year I can produce an album. A lot of the Drag Race girls produce music and they go for dance tracks, but I’ve never been too hip to the discotheque. I’m actually going to produce an album that’s more musical standards, show tunes and torch songs. So, it’s going to be a little bit more lyrical than you’re used to from drag performers.

I’m also going to be playing Velma Von Tussle in the 5th Avenue Theatre production of Hairspray this summer  [in Seattle]. I will be in a show that I’ve worked on for a few years with some Seattle performers called Freedom Fantasia at the Triple Door. Then I go on a European tour in the fall, and it’s my first time ever visiting the countries over the pond. So those are the big things, and of course the Absolut Tour that I’ll be headlining with fellow performer from Drag Race season 5.

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- See more at: http://www.underwearexpert.com/2013/05/drag-superstar-jinkx-monsoon-interview/#sthash.ghLtk6PG.dpuf


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News Guyd: Gay man shot dead in Village after gunman shouted homophobic slurs: authorities

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Courtesy of The New York Post

A gay man was gunned down in Greenwich Village early today by an armed bigot who hurled homophobic slurs at him — and claimed to be the Newtown, Conn. killer before the murder, police said today.

The 32-year-old Brooklyn victim, whose name has not been released, was walking with a pal on Sixth Avenue near West Eighth Street about midnight when they were approached by three Hispanic males, Police Commissioner Ray Kelly said.

One man snarled homophobic slurs at the men and asked them if they were “gay wrestlers,” Kelly said.

The men continued moving and made a right onto West Eighth Street.

One of the Hispanic men left and the other two continued to follow the victim and another man.

Both the victim and another man with him were wearing tank tops, cutoff shorts and boots.

“Do you want to die here?” the shooter asked the victim.

He pulled out a .38-caliber revolver and shot him once in the cheek.

“It was a quickie. He shot him and he went straight to the ground,” said a bouncer at a nearby club. “Half his body was lying on the sidewalk and half was on the street.”

The man died shortly after at Beth Israel Hospital.

“This is clearly a hate crime,” Kelly told reporters.

There have been 22 bias attacks in the city so far this year, up from 13 at this point last year, he added.

After wounding the victim, the shooter ran east and then downtown. Police nabbed him shortly after on MacDougal and West Third streets.

When he saw the cop car, he tossed his revolver to the ground and surrendered.

He is currently being questioned at the Sixth Precinct but has not been conclusively identified because he has a phony ID on him, cops said.

The shooter appeared crazed and confessed to the shooting after he was nabbed, a police source said.

Twenty minutes before the slaying, the suspect had gotten into confrontation after urinating on the wall of a bar called Annisa, on Barrow and West Fourth streets.

When a bartender confronted him, the brute told him that if he called police, he would shoot him.

“Don’t you know I’m wanted? Do you know about the shooting in Sandy Hook?” he bizarrely told the bartender, according to Kelly. “I’m a wanted man.”

City Council Speaker Christine Quinn — who is running to be the New York’s first openly gay mayor — said she was horrified by the attack.

“There was a time in New York City when two people of the same gender could not walk the street arm-in-arm without fear of violence and harassment,” she said. “We refuse to go back to that time.”

Police are asking anyone with information about the murder to call the Crime Stoppers Hotline at 1-800-577-TIPS.

Additional reporting by Natasha Velez and Antonio Antenucci


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Whose Underwear Do You Want to Slip Into? Weekend Beef-Cap

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It’s rainy here in New York, so what better way to spend the day then by re-checking our five hotties and picking a winner. Peruse, pick, peruse some more, then tell us who you want. The winner shows off more of his goods on Monday. Yes, it’s raining men!

Monday Beef: Ben Foden

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Tuesday Beef: Huge Viera

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Wednesday Beef: Jeffrey Hawkins

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Thursday Beef: Max Ryder

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Friday Beef: Steven Dehler

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The Underwear Expert is the new men’s underwear resource covering 200+ men’s underwear brands including Calvin Klein Underwear, 2(x)ist and more. Be sure to like us on Facebook!


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Video Guyd: Eurovision Preview

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Eurovision is here tonight, and if you’ve never heard of it, missed it, are missing it, or just can’t be bothered, we’ve saved you the trouble. Here’s our analysis of this year’s contenders. Open the video in a new window and see if you think our one liners and sometimes savage quips are fair or not as you go through. We didn’t do them all, just the ‘best.’ And worst.

Armenia: James Blunt meets U2 meets C&A, with ‘Who can stop it?’

Azerbaijan: Once you get over the shock of the eyebrows, he reminds me a bit of Enrique Iglesias fallen on hard times. Next stop? The Job Centre.

Belarus: I’m guessing her backing track has got stuck and she’s ad-libbing. It has the feel of a futuristic (failed) production of the Lion King.

Belgium: “Love kills over and over,” is the main lyric. Catchier than previous Belgian entries, but a bit disturbing as the girls both look like they’ve been taken hostage.

Bulgaria: Horrific tune, but very impressive how she manages to change outfits so quickly. Maybe the magician with the magic bagpipe helps.

Cyprus: A rather nice song about trying to find your lost iPhone after a picnic.

Denmark: Good combination of a natural beauty with a natural voice and hot drummer boys in uniform. Let’s just hope Helen Mirren isn’t sitting near-by.

Estonia: Cheryl Cole’s poor relation in a nighty, sings about her dismay that Girl’s Aloud have split up.

Finland: WOW. Krista Siegfrids, you rock! ‘Marry Me’ is the name of the song, and I sure would, you sexy blonde Katy Perry/Pixie Lott of the East. Pop bliss.

France: Not bad at all, nice beat, great vocal range. But she looks like she’s mixed up her medication, bless her.

FYRM: I’m sorry but I have no words for this. If that woman ever escapes, then God help us all.

Germany: If last year’s winner hadn’t been ‘Euphoria,’ this reasonable offering from the rather good Cascada would have probably had a good chance. But ‘Glorious’ sounds too similar, but without the punchy angst, darkness and catchy “Up, Up, Up” chorus. Sorry babes.

Greece: ‘Alcohol is free.’ Is it really? To be honest this collection of hot hairy handsome Greeks can sing about whatever they like. If they’re extremely drunk on this free alcohol, then all the better for my chances. Strangely catchy.

Iceland: A song of hope. Even if you’ve cut your finger, everything will be all right in the end.

Ireland: Nice one Ryan Dolan! ‘Only Love Survives’ is catchy, dancey and vibrant, with a strong vocal. And thank God it’s not Jedward again.

Israel: Her hand gestures are clear. ”Shut up backing singers! This is MY moment, I’ll be back to work in the library on Monday.”

Italy: Great hair and great piano skills. But he could have put some sheets on the bed.

Lithuania: The Lithuanian entry was sick, so this drunk man from the audience jumped on stage to fill the gap. You’d think.

Malta: If One Direction and The Muppets had a family, this would be it. Up-beat, happy, guitary song, that probably won’t do as well as it should.

Moldova: Cinderella and the dancing scarecrow. A popular Moldovan children’s tale, and now a pop song. How lovely.

Montenegro: Music video inspired by a night out in Swansea.

Norway: Margaret Berger’s ‘I Feed You My Love,’ stands out as a winner. She’s got the looks, the stage presence and an awesome vocal with a dark yet sexy electro/techno/rock backing. 12 points from me!

Romania: I’m not sure what went wrong here, but it’s scarier than the woman from FYRM. Are they dancers or just trying to escape from the alien’s sonic range? Who can tell.

Russia: A likeable song from a likeable young lady, but likeable doesn’t usually score big. Sorry babes.

San Marino: What a time to have a power cut! Bad luck babes.

Serbia: An interesting entry, if only because it looks like they hate each other and might violently lash out at any moment. Fingers crossed.

Slovenia: Nicely done Hannah. A pleasant, dancey number that will no doubt be played in gay clubs from Warsaw to Tbilisi for years to come, regardless of how well she does tonight.

Spain: A strong rocky number from Spain, with a lovely horse. But has Carol Vorderman changed her name and had work done?

Sweden: ‘Because of You’ (Or, Because of You-oo-oo-oh-ah-ah). Catchy, strong and annoying at the same time. Sung by a friendly-faced, chunkier relation of Justin Bieber.

Switzerland: Totty-watch! And I don’t mean the old man who morphs into a young girl. Oh it’s all happening in Switzerland!

The Netherlands: Beautiful, natural, haunting vocal from Anouk, with ‘Birds.’ Perhaps the strongest entry from the Dutch in living memory.

United Kingdom: Bonnie Tyler. I love her to bits, I really do, but she hasn’t got the range. She’s big in Europe though, they say. So was Engleburt Humpydink. Sorry Bonnie lurv, I’m not gonna lie, but I don’t believe in your song ‘Believe in Me.’  Cracking hair though babes.


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Danny Hilton’s Beginners Guyd to Eurovision

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After months of waiting, Eurovision night is finally here! Depending on what part of the world you’re in, you may be cheering and screaming joyfully like a party boy who’s just won a VIP band for Matinee’s Barcelona Circuit Festival, hiding your head in shame like Lindsay Lohan at a Court Hearing, or looking blankly with no idea what I’m talking about. If you’ve never heard of Eurovision, a quick search on google will tell you that “the Eurovision Song Contest is an annual competition held among active member countries of the European Broadcasting Union.” I’ll translate that for you.

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The Eurovision Song Contest is the annual competition between most European (and nearby) countries, from Azerbaijan and Israel to Lithuania and Portugal, with each country sending its ‘best’ (or most-willing in the case of the UK), talent to sing, dance and generally try to woo the rest of Europe with a cascade of fake tan, HUGE hair, awkward dance moves, demented dance routines, glitter, sequins, fur and HUGE hair. Did I mention the HUGE hair and sequins?

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A sparkly entry from Lithuania a few years back

In the words of London legend Glendora; “It’s camp gurl.” Camper than any traditional ‘as camp as’ analogies, camper than a stage production of Hi-di-Hi with Julian Clary and Dame Edna in a glitter factory. With a fluffy pink wind machine.

Some of the worst moments from Eurovision. Ever.

The vocal talent ranges in, well, talent, from rather awesome and “why haven’t we heard this girl before?” to, “Why have they sent us this guy? Please make it stop now before I put my head in a food mixer just to drown out the noise.”

The thing is, the ‘worst’ entries are often the most fun to watch. What’s all the rage in terms of style/fashion/music in Moldova, isn’t usually bang on trend for the UK. And probably vice-versa. Eurovision is a chance for everyone to laugh at everyone else. Or maybe I’m just being a cynical Brit. We last won in 1997 with Katrina and the Waves, “Love Shine a Light,” and since then we’ve been last or almost last six times. That’s a lot of countries doing better than us. Usually including Moldova.

Katrina and the Waves in 1997, the UK’s last winner.

The UK’s Jemini (deservedly) came last in 2003.

They said they had sound problems. So did the people listening.

Oh dear God there’s so much left to cover. The voting! There are now so many entries, there are two semi-finals to weed out the weakest entries, via an international telephone vote (but you can’t vote for your own country, duh). “The Big Five” (UK, Spain, France, Germany, Italy) automatically get a place in the final because they pay for most of the contest. And otherwise they probably wouldn’t get through. The voting is almost better than the show itself. Countries always vote for their neighbours (for example, Greece: “for our friends, Cyprus, 12 points”), and nobody votes for the UK. Some of the people who are reading the votes from far-flung ex-Soviet capital cities have never been on TV before, and for good reason. Here’s another chance to see some HUGE hair and sequins, and person after person repeating “thank you for an amazing, amazing show.” Prepare to be amazed.

A rather excited lady reveals the scores from the Swedish jury.

All in all, if there’s one thing that everyone agrees on, it’s probably sequins. Eurovision is on a range of TV channels tonight, with commentary starting around 8pm GMT. My money is on Norway’s awesome Margaret Berger, with ‘I Feed You My Love.’

I’ll be sending live tweet updates throughout, so follow GuySpy on Twitter to stay in the loop.


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